Zindagi Ek Safar Hai Suhana ………..RIP Rajesh Khanna
The original super star of
Bolloywood, albeit for a very brief period, is no more. The fan-following
and adulation, specially by females, which Rajesh Khanna has commanded in late
60s and early 70s was unprecedented and the title of Super Star was coined for the first time for him . His romantic image was so predominant that every young girl of that era used to have his photo under her pillow and secretly wished to marry him and many were reported to have got married to his photo itself and adore (a la Meera). Stories were rife in those days that female fans used to write letters dipped in their blood, picking up the dust of the car in which he used to travel and some young girls committing suicide after listening the news of his getting married to Dimple Kapadia. Such a phenomena Rajesh Khanna was. Some of the author backed roles by the then Bengali directors in films
like Anand,
Aradhana, Amar Prem, Aap ki Kasam, Namak Haraam, Bawarchi, Kati Patang Daag, Do-Raste and Dushman,
with fantastic music by SD/ R D
Burman and singing by Kishore, have
catapulled him to super-stardom. But a
series of such hits, later on proved to be disadvantageous with pitfalls like type-casting,
stereo typed acting and over use of mannerism by tilting his head,
blinking eyes with camera zoomed very close to his eyes, dialogue delivery which
comes like a flow first and then put a sudden break to enable him to blink his
eye and tilt his head. At the peak of
his career in early 70s the advent of action movies, thanks to the super duper
hit of Zanjeer has seen the birth of another superstar Amithabh Bachan signalled the beginning of his end. Zanjeer
followed by Deewar, Sholay and Trishul establish Amitabh who scorched the
screen with his angry young man image and with already established Dharmendra
and the then upcoming Vinod Khanna being in the same mould of action has not
helped the cause of Rajesh Khanna who has a soft, sober romantic image and/or a
tragic image. His flirting with action
movies in Sacha Jhoota, Apna Desh, The Train and Roti have gone unnoticed. He never could adjust himself in
multy-starrers of 1970s/80s which has promoted even average performers like
Sashi Kapoor to stardom. Come 1980s,
Bollywood stars starting taking their dancing skills very seriously with
jumping jack Jeetu followed by John Travolta and Michel Jackson's Clown our own
Mithun becoming big hits as dancing stars.
Here too Rajesh khana had a disadvantage with having two left foot.
At that time the only thing which
could have saved his career was banking on south-indian remakes which had large
number of family dramas with one man-two heroines stories, the super sacrificing
elder brother, husband, village head-man etc which were originally done by ANR
(who has on top bracket for over 50s years) and Shoban Babu (who was a popular
star for over 40 years). But to his
misfortune, the mega record breaking Telugu hit film Prem Nagar (with ANR in
Telugu and Shivaji Ganeshan in Tamil) when remade with him in Hindi (with a
popular combination of Hema Malini and music by S D Burman) bombed
at the box office. Few more South Indian remakes like Red Rose, Masterji also bombed at box office Apart
from this set back, working in a South India set-up at that time (or even now)
means to be highly disciplined, giving bulk dates and ensuring that the film was
completed in record time of few months, but with larger than life image, undisciplined
and cranky behavior has made him a non-preferred choice and the loss of Rajesh
Khann has proved to be Jeetu’s gain who camped himself permanently in Hyderabad
at the backyard of Annapurna, Rama Naidu and Padmalaya studios bagging almost
all the Telugu remakes of 70s and 80s.
Though his attempt to come back
many times with Avataar, Swarg, Thodisi Bewafayi and
Souten met with modern success, he could never regain any of his past
glory whatsoever. His last movie which was like a semi-porno with an unknown C grade actress and his first and last TV commercial for Havel fans given the fans more pain than pleasure and many might have wished why he doesn't learn to fade gracefully. With the age he could not graduate into matured
roles and also into the TV as has been done by every star worth his salt. His disastrous marriage with Dimple Kapadia
and negative publicity given for years together by the print media, has eroded
his huge female fan following and proved to be the last straw on the camel’s
back.
The tragedy with Rajesh Khanna, as he himself admitted in one of his interviews, that like Amitabh Bhachan, he did not have a Super Star before him to observe and take care of pitfalls of super stardom. He allowed success go to his head and became super-arrogant and took the demi-God status bestowed by the fans too seriously. As shown in the BBC film on him (a tribute in those days), when he came to know that he has not bagged filmfare award, he hosted a dinner on the same night as that of filmfare awards' night. But he could not handle the fall from the grace and not adjusted and accommodated himself with changing times and hit the bottle in a big way leading to health complications. The life and times of Rajesh Khann after that has become a manual for other stars who followed him to realise how fickle and temporary the tinsel town stardom is and take care and we find most of the actors now-a-days are more sensible and organised.
The tragedy with Rajesh Khanna, as he himself admitted in one of his interviews, that like Amitabh Bhachan, he did not have a Super Star before him to observe and take care of pitfalls of super stardom. He allowed success go to his head and became super-arrogant and took the demi-God status bestowed by the fans too seriously. As shown in the BBC film on him (a tribute in those days), when he came to know that he has not bagged filmfare award, he hosted a dinner on the same night as that of filmfare awards' night. But he could not handle the fall from the grace and not adjusted and accommodated himself with changing times and hit the bottle in a big way leading to health complications. The life and times of Rajesh Khann after that has become a manual for other stars who followed him to realise how fickle and temporary the tinsel town stardom is and take care and we find most of the actors now-a-days are more sensible and organised.
It is very sad that, unlike so
many Ballywood stars, like Dev Anand, Raj Kumar, Rajendra Kumar and Raj Kapoor
who played well within their own limitations and survived for a long time,
Rajesh Khanna could not succeed in doing so and his stay at top was like an `Anar’
(flower-pot), very bright but for very
short period.
His captivating smile and innocent
face (of Anand, Amar Prem and Bawarchi) will always remain etched in my memory . Let’s
celebrate his life rather than cry for him since as he famously said `I hate tears Pushpa’.
S. Prabhakar
18th July, 2012
18th July, 2012