Saturday, 16 August 2025

 


Review of Tamil movie Coolie

(Released in multi languages PAN India)



 

Much hyped and much anticipated Coolie hit the screens on 14th August, 2025, whose pre-launch publicity reached feverish pitch with stars from different languages viz., Nagarjuna (from Telugu industry), Aamir (from Hindi Industry), Upendra (from Kannada Industry), Soubin (from Malayalam Industry) joining Rajni and star director Lokesh Kanagaraj and going gaga about Rajni and his charisma and mania.   Going by stupendous success of Kamal’s Vikram, just ignoring the moderate hit of Leo, the expectation from this Rajni and Kanagaraj was sky high, but it turned out to be  extremely boring and disappointing stuff and will end up as most mediocre film by Lokesh Kanagaraj along with Leo.  

The challenge with Rajni and his directors for the last decade or so, being aged (74 years) he cannot play roles of around 40s and 50s years old and his fanatic fans are not ready to accept him in any other role than action hero and story writers and director struggle to come up with action movie in that age bracket.   So they are forced to churn out the same stuff, with same looks (the half grey beard), father or uncle role, a daughter or son and his issues with them, strong antagonists and support from top stars from different languages whether it makes any meaning or not.  

Its no different in Coolie.   The thin story line is something beaten to death for decades - hero taking revenge for killing of close one (this time a friend of over 30 years), and dragging it for 3 hours with no twists or turns.  

Lokesh Kanagaraj who developed Kamal’s, Sethupathi and Fahad roles so brilliantly in Vikram failed miserably to develop definite and impactful roles for Rajni, Nagarjuna, Upendra and Aamir.   So much was written about Nagarjuna antagonist role but it remained a half cooked half backed role, doing nothing bur boozing, smoking and brooding.  He is shown as a sophisticated villain, which he carried well, but with his weak voice and dialogue delivery Nagarjuna can never be a menacing villain.    Upendra was used in couple of action scenes towards end and Aamir Khan role is a straight lift and replica of Rolex cameo in Vikram done by Suriya.  But the surprise package has been Malayalee actor Soubin, who had meaty and lengthy role after Rajni.  Though he is short, bald unlike someone who looked likely to carry a pivotal role, but he got into the skin of the role and delivered a brilliant performance, whether its his comic touch, innocence, funny dance or menacing villainy – so many shades in one role.

Lokesh has so badly run out of ideas, that he pushes a stupid narration of the main villain who holds hundreds of labour at the port and does all kinds of illegal activities right from smuggling to organ racket, finds difficult to dispose of dead bodies of those killed by him and hires Satyaraj who makes an indigenous chair as a mobile electric crematorium.  For no rhyme or reason Satyaraj gets killed and for some time a suspense was maintained about who killed him.  After lot of emotional drama (a trauma for audience) between Rajni and Shruti Hassan (daughter of Satyaraj), who keeps insulting him due to misunderstanding, Rajni shadowing her to protect her from, the movie moves towards an uninspiring climax action scene full of blood and glory. 

There are overdoses of action scenes, which  the senior citizen Rajni is finding difficult to carry.   As always, he stands and keep waiving his hands and the goons keep flying all over breaking glasses, windows and all and sundry.  How long can such stuff be served as `action scenes’.   The less the better about his acting which is stereo typed specially for the last 10-15 years. Nagarjuna, Satyaraj (who did Kattappa role in Bahubali), Sruthi did their best, but they were let down by poorly written roles.   Soubin was at his best, but I felt as the role is written for Sethupathi, not sure whether he was ever considered for the role or not, but he would have taken the role to next level.   But Soubin has not disappointed, and this movie will improve his stock not only in Malayalam industry but in other south India industries too.

Anirudh music was enjoyable, specially the group song picturized on Rajni and the item number by Pooja Hegde.   BGM, specially in action scenes, was good. 

Overall, it’s a disappointing stuff from talented a highly rated Lokesh Kanagaraj.   But whether movie is good or bad, it may not make much difference to box office fortunes of Coolie like any other Rajni movie.   It is already reported that it had a fantastic 1st day collection of over Rs 170 crores.   Even if it holds the opening day hype in the long weekend it may make over Rs. 500 crores by the first week end and bring profits to the producers.  

Go to watch if you are a diehard fan of Rajni, and also Nagarjuna and Soubin

S. Prabhakar

16.8.2025


Friday, 15 August 2025

 

Review of War2 (Hindi version)

by S. Prabhakar




The much awaited YRF Spy Universe movie War2, starring the two biggest stars from Hindi and Telugu film industry for the first time, which in its self is a sensation, has not set the silver screen on fire as expected and the blame for the same lies squarely at the doorsteps of director Ayan Mukerjee, not a name you can associate to handle such mega stars with mega budget at his command.

It is no less than a crime to dish out a movie which looks like any ordinary action movie of 1990s or 2000s when you have top action heros and mega budget at your disposal.  

What went wrong with War2 – almost everything

Story screen play and direction: War2 has wafer thin story line, very loose screenplay ( Shridhar Raghavan and Abbas Tyrewala) and a thoughtless direction by Ayan Mukerjee which has nothing to write about.     There are no emotional scenes, gripping and heart pounding action scenes and story moves on predictable lines and keep dropping at many places despite best efforts by both Hritik and Jr NTR to lift it up by their respective brand of acting.  

The first part of the movie has more action scenes and moves bit faster but after interval bang, when we are taken on flash back to children hood of both heros and their bonding and then some 10 years back for some (un) romantic scenes between Hritik and Kiara the movie gets on to your nerves, towards climax the movies lifts a bit but never really flies high

If one wants to know the difference between a mediocre director (Ayan) and great director (Rajamouli) just compare the introductory scene of heros of RRR and War2.    We all have seen such an elaborate and well-crafted action scenes were mounted in RRR to introduce Ramcharan and Jr NTR and both looked brilliant.   

In War2 Hritik was introduced with a samurai style action scenes set in Japan.   First the art director made a mess of the red colour set, we saw many chine movies in 1990 with far less budget having great and eye-catching red colour backdrops.   Action choreography of that scene was so ordinary, neither Hritik nor other stuntmen moving swiftly.   How I wish the director and stunt director have watched few videos of dozen of Ninja movies released in 1990s or Tony Jaa Ombak (1, & 2) or The Wrath of Vajra and borrowed the fantastic action scenes designed by the stunt directors of those movies

As if it is not enough Jr NTR intro scene was much worser than this, the lighting was dim, unlike in RRR a shirt less Jr. NTR wasn’t given a proper elevation overshadowed by poor vfx while landing on to a ship.   The action scene that follows is equally pedestal. 

The same trend continued in the entire movie.    Very well designed and executed Action scenes (minimum 5 to 6) is what make action movies watchable.   Right from Enter the Dragon to most of Jakie Chan movie, James Bond and MI series or any Arnold and Stollone movies, we recollect each movie for the action scenes which we relished.   There is not even a single such scene in War2 which you can appreciate that it is well designed and executed.

VFX : with the type of technology that is available and the sort of budgets producers pump in (reported to have been made at approximately Rs. 400 crore budget), sky is the limit for imaginative VFX affects to make the action scenes and movie rich.    The VFX of this movie is so poor, both in imagination, designing and execution, movies released 20 years back, or movie with one tenth of its budget (like Narasimha which creased ripples for its special effects though made at a budget of just 4 cr) looked far better.   The train chase scene, the action scene on top of the aero plane looked pedestal and childish.   Both heros and few goons are shown fighting on top of an aeroplane flying at some 500 kms per hour, their hair are intact, and their faces are as stable as if they are riding a cycle, they were running, flying and sliding from one end to the other end of plane holding to a small rope – can there by anything more ridiculous than this in the name of action scene.   How I wish the director and action director have seen (and copied) the climax scene of Jakie Chan Armour of God where in the climax scene Jackie and dozens of  goons stage an action scene when a huge turbine fans kept switch off and on, not only their hair, cloth keep flying, the entire skin on face of Jakie displaces due to use of heavy blowers by stunt director, that much effort goes to make the action scene look real.   

Same goes with car chase scene (far inferior to what we have seen in many Bond movies some decades back) and speed boat chase (the boat chase Scenes in Face Off and Puppet on the Chain released some 30 to 40 years back without any VFX effects looked better).

We have some home-grown top stunt directors, foreign stunt directors like Peter Heins and Kicha settled permanently in south and Solomon and other US stunt directors whom Rajamouli engages effectively.    If director of an action movie fumbles in picking up right kind of action director and design well thought action scene and cannot extract best out of them, then he is not the right candidate to make an action movie.   Indian stunt coordinator Sunil Rodrigues Hollywood veterans Spiro Razatos are credited as Stunt directors of War2

Make Artists and Stylists: This is one field where we made tremendous progress in movie making and old and aging stars like Rajnikant, Kamal, and Chirajeevi and Nagarjuna are transformed by the make up and stylists professionals fantastically.     But in War2 the guys who did make up styling job of Jr. NTR have done a pathetic job, for most of the movie specially first half Jr NTR is looking horrible, dusky, sickly and worn out, neither his hair style nor his look are anything to write about.   There are dozens of professionals in Telugu industry who present Mahesh Babu, Prabhas, Allu Arjun, Ram Charan and Jr NTR himself so well movie after movie.    Jr. NTR looked far better in Telugu movies like Temper, Brindavanam and Janata Garage.    Special efforts and attention should have been paid to this aspect specially when he is pitted against a Greek God like Hritikh. 

Music and Dance : Pritam has never been in top bracket music director and known for giving chart buster music except one or two Punjabi beat numbers.   His music – both songs and BGM score is a total wash out.   Even the song for the much-awaited iconic dance number with two top dancing star is disappointing and has not become popular.  

The choreography of the dance number is also equally poor, both Hritik and Jr NTR are given one dancing movie which they kept repeating.   Both being very good dancers did well but there is no scope in the song or the way the number is designed to exhibits their skills full throttle.    A great opportunity to have a `Natu Natu’ moment has been robbed by elementary director Ayan. 

Acting: Despite all flaw in the story, screenplay, lack of emotional drama and moments, both Hritik and Jr NTR did very well.    Hritik is looking as smart and handsome as ever, though has slowed down considerably in action scenes.   Jr. NTR had an excellent outing, specially he was brilliant in long climax scene and stole the thunder from Hritik in that scene though over all his role is not well conceived.   He did an excellent job in dubbing in Hindi himself without any flaw or south Indian accent and that has lent depth in emotional scenes.   Considering that it is a straight Hindi movie, he should be more careful in selecting subject which show case his acting and dancing skills.    He will be better in the hands of talented directors like Rajamouli, Koratala Siva, Prashan Neel and Trivikram and go for PAN India release of Telugu movies rather than messing up his chances in the hands of pedestal directors like Ayaans.     Next time whenever such mega budget movies are planned with top stars from Hindi and Telugu or Hindi and Tamil the direction responsible be better given to some one like Rajamouli, Prashan Neel, Lokesh Kanagarj or Sandeep Vanga.  

Overall the movie at the most is a onetime watch and I am sure you will return with a feeling that a great opportunity has been lost to make it into a far better engaging and enjoyable action movie with a better story screen play writer and director.  

I, being a sworn action movie buff and grown up on Chinese, Hong Kong and Telugu action movies and have seen hundreds of out and out action movies which are far better than War2 and hence very disappointed than many of you could.

At box office Hritik is a big pull in North and Jr. NTR is a better pull in both Telugu states.  The movie may break even at Rs. 400 to 500 crores but not going to shake the box office specially facing stiff challenge from Rajnikath Coolie, which is packed with stars from all industries.

S. Prabhakar

15.8.2025