
SRI
DEVI - THE ONE AND THE ONLY
`ALL INDIA FEMALE SUPER STAR’
Millions of fans like me woke up on Sunday
to the shocking news that Sridevi is no more.
She neither had any health issues nor is she aged enough to go away. With 50 years acting career at the age of 54,
more than 260 movies in five languages, millions of fans all across the country
and world, might have mislead the almighty to think that she has lived her full
life.
Undoubtedly, she was the most charming, bubbling,
natural, talented actress who lit up the screen in every frame in every movie
and dominated it for decades. She was
probably the only female actor for whom special scripts and roles were written
not only in South Indian languages but the male dominated Hindi movie industry.
The
earlier days:

Superstardom:

Unique distinction :
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movie with Father ANR |
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movie with son Nagarjuna |
One of the
greatest tribute to Sridevi is her adaptability and tenacity was that she
worked as a daughter and granddaughter of NTR, ANR, Krishna and Shobanbabu and
later on worked as heroin in many blockbusters with the same actors. And the unparallel achievement was that
Sridevi not only acted as granddaughter and daughter of NTR and ANR later on as
their heroin but also acted as heroin with NTR son Balakrishna and ANR son
Nagarjuna. This achievement still
remains unmatched in Indian cinema industry.
Most Charming actress:

Versatility personified:

She is probably
one of the best dancers in Indian cinema.
Though not an exponent of classical dance, her adaptability in every type
of dance was amazing. No one could match
her in expression in a song and dance sequence.
Her dance number `Katenahi katihai ye raath’ in Mr. India is a text book
for budding actors (https://www.youtube.com/watch?v=x9KecQZLVTE
– song from Mr. India). Sridevi and Saroj Khan were a deadly
combination and churned out great super hit dance numbers. Sridevi and Madhuri competition in late 1980s
was legendary.
The successful cross over and becoming
a National Super Star:
Sridevi was the
most successful cross over from South to North. Though South Indians like
Vaijayatamala,
Rekha and Hema Malini were very successful in Bollywood, they started their
career in Hindi only. But Sridevi after
having very successful career in all the four South Indian languages made a
very successful cross over to Bollywood.
From a plump big nosed and a typically South Indian looking actor
Sridevi transformed herself into a slim, sharp nosed and stylist smart young lady
and accepted easily in Hindi movies. Initially
most of the her Hindi movies like Solwa Sawan and Himmatwala were remakes of
Telugu and Tamil movies later on she established herself so much that she paired
with all top stars under all the leading banners. Her dominance was to such an extent that then Superstars like Anil Kapoor, Sunny Doel, Rishi Kapoor, Vinod Khanna and Rajni Kant did not mind playing second fiddle to Sridevi in movies like Mr. India, Chaal Baaz, Chandni, and Nagin, and in Khuda Gawa she was pitted against Amitabh with double role. Her all India fan following and acceptability was phenomenal and she was so prolific that she acted in a record number of 260 movies – 85 in Telugu, 72 in Tamil, 71 in Hindi, 26 in Malayam and 6 Kannada.
The Personal Life:
Howsoever active, energetic and bubbling she was on the screen, but in her personal life she used to be reserved, talk very measured and tried to stay away from controversies. Her decision to get married to Boney Kapoor, an already married man with grown up children, attracted lot of criticism, she always maintained a dignified silence on the subject. Once blessed with two daughters, they became her life and played her role as mother as intensively as she did her movie roles.
The last High:
Howsoever active, energetic and bubbling she was on the screen, but in her personal life she used to be reserved, talk very measured and tried to stay away from controversies. Her decision to get married to Boney Kapoor, an already married man with grown up children, attracted lot of criticism, she always maintained a dignified silence on the subject. Once blessed with two daughters, they became her life and played her role as mother as intensively as she did her movie roles.
The last High:
After marriage
with Boney Kapoor she took break in 1997 and settled down in life and stayed
away from movies for over a decade. But
the born actor in her could not keep her away from arc light for a long
time. She started her second innings
with a bang with critically acclaimed `English Vinglish’ and followed it up
with fantastic performance in `Mom’
and raised hope that she will have a very long second innings like Amitabh. https://www.youtube.com/watch?v=LMaw21lRBqk
(dramatic scene from Mom)
Though Sridevi,
in close to half century career at relatively young age of 54 has achieved more
than what a female actor can imagine to achieve in Indian Cinema, there was a
lot which remain unfinished. Indian
cinema surely lost one of the most beautiful, charming, talented and versatile
actor who proved that the female actors can carry movies on their shoulders and
paved way to many young female actors like Priyanka Chopra, Vidya Balan,
Deepika Padukone and Anushka Shetty. As far as female actors are concerned the Indian cinema can now be divided and referred to in two phases, `THE PRE SRI DEVI ERA AND POST SRI DEVI ERA'. Sri Devi has measured up to the pre Sri Devi Era top heroins like Nargis, Madhubala, Meena Kumari, Savitri and Jamuna but we have to wait and see if the present crop of heroin and future entrants can measure up to the dizzy heights Sri Devi has scaled. Surely many female actors can come up and prove their metal but there
cannot be another Sridevi and the dominance and universal acceptability as Sridevi enjoyed.
In the climax scene of `Jagadeka Veerudu Atiloka Sundari' where she has done the role of a Deva Kanya, she was all set to return to heaven where from she comes and in the last moment throws the magic ring and stays back in the world. Millions of her fans really wish that something like that could happen but alas it is REAL LIFE & NOT REEL LIFE (https://www.youtube.com/watch?v=HlrpmuJcNvo
– climax scene from Jagadeka Veerudu Atiloka Sundari)